THE FIRST 30 PAGES || ONLINE MASTER COURSE

THE FIRST 30 PAGES || ONLINE MASTER COURSE

 

COURSE:

A Six Week Online Master Screenwriting Course
Studying with Max Adams
Course Dates: 03.16.21
Course Fee: $475 || Course Deposit: $150
Course Location:  ONLINE

The First 30 Pages is an accelerated screenwriting master class studying online with author & award winning screenwriter Max Adams. During six weeks of advanced study, students will study story opening models provided in class, complete advanced course assignments and exercises, submit the first thirty pages of a [completed or in progress] feature script for analysis & review, and will participate in weekly online discussions reviewing and analyzing assignments and students’ submitted pages with Max Adams.

 

COURSE SYLLABUS:

WEEK ONE: What the First 30 Pages Do ||
Lecture: Set Up, Illuminate — Launch!

WEEK TWO: Images & Expectations ||
Lecture: Speed Demons & the First 10 Pages

WEEK THREE: Premature Ejaculation ||
Lecture: Why Opening on a Climax Usually Fails

WEEK FOUR: The Lies You Were Told About Characters ||
Lecture: “Character” Does Not Equal “Résumé”

WEEK FIVE: Heavy Reading ||
Lecture: Thirty Pages Under the Microscope

WEEK SIX: Resurrection ||
Lecture: Reevaluating Repetition & Pacing & How to Remove — Repetition

WEEK SEVEN: Grace Week ||
No Lecture

 

WE WILL BE COVERING:
  • The traditional 30 page opening
  • Opening a script in 15 pages or less
  • Genre & the double opening
  • Preambles — when they work, when they fail, & why
  • Establishing tone & genre
  • Establishing audience expectation
  • Opening imagery
  • Withholding for impact
  • Establishing story goal
  • Repetition in openings — when it works & when it doesn’t
  • Establishing leads 
  • Establishing secondary characters
  • Central dilemma escalation & illumination
  • The 40 page opening — AKA the screenplay death knell
  • And more —

 

YOU WILL TAKE AWAY:
  • Actionable craft tools that, implemented in your own scripts, will immediately condense & focus opening pages in your existing & future feature and television scripts, strengthening and focusing a story base from which to launch story events and action that will have immediate cinematic impact for readers and industry professionals considering material for option, purchase, development, attachment and production.
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THE FIRST 30 PAGES is a master screenwriting class. If you are a new student, a writing sample will be requested prior to final acceptance into the class. In rare instances in which you are not accepted into the class, your course deposit will be returned.

Questions? Send us email:

30 Pages Email:

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Ratings and Reviews

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What's your experience? We'd love to know!
Peter Andrews
Posted 8 months ago
A reference point for every draft of every script

You have to get the first 30 right, and no one else provides to insights to do this effectively that Max does. This is a challenging course, but the rewards are amazing. Highly recommended!

Melinda
Posted 8 months ago
A Real Time Consult

The benefit of this class is that Max, and the other students, review the first 30 pages of your screenplay. This is a real time review and feedback of the opening pages, pointing out what works, and what would improve the story in terms of establishing and illuminating the story problem. Prior to submitting a script to the industry, take this class.

Michele Koop
Posted 8 months ago
Get the first 30 pages right...

I loved this class. It really focuses on where and how to start your story in your script, beginning with opening images through the first 30 pages that set up the rest of the script. Max Adams provides great insight and provided me with really priceless feedback. Want to start the script with a bang and pull the reader in? Take this class.

Nektarios Chrissos
Posted 8 months ago
The difference between keeping and losing the reader...

...lies within the first thirty pages of your screenplay. Max knows that well as a screenwriting veteran and a Nicholl winner and reviewer. And after this course, you'll have the tools to grab your reader from the neck and keep him glued on your words. An extremely useful course for screenwriters in an era when the reviewers' attention spans are so thin.

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