YOUR CONSULTANT
MAX ADAMS is an author and award winning screenwriter. She has written for Columbia Pictures, Sony Pictures, Tri-Star Pictures, Hollywood Pictures, Touchstone Pictures, Walt Disney Studios, Universal Pictures — and a couple others to remain unnamed because no one around here wants to get black listed.
Max is a former volunteer AFI Alumni reader and WGAw online mentor, former Nicholl reader and judge, has appeared as a speaker at, among other places, AMPAS, USC, and Film Arts Foundation, is an Adjunct Assistant Professor at University of Utah and a former lecturer & instructor at New York Film Academy, is the author of The Screenwriter’s Survival Guide AND The New Screenwriter’s Survival Guide, is the founder of two international online screenwriting workshops — and TheAFW — and has the dubious distinction of having been dubbed “Red Hot Adams” by Daily Variety for selling three pitches over a holiday weekend — which made her agents cry.
[In a good way.]
She answers now to both “Max” and “Red Hot” in crowds and dog parks.
Max has been writing, selling, mentoring, and teaching for two decades. Four or her workshoppers have won Nicholl Fellowships from the Academy of Motion Pictures Arts & Sciences. Many of her students and workshoppers have gone on to option, sell, publish, and produce work.
SCRIPT CONSULTS
FEATURE SCRIPT CONSULT
Read | Analysis | Notes | Meeting | $799
Notes | 15-20 pages cover concept, structure, plot, pacing, locations, tension, tone, theme, visuals, character, dialogue, voice, style, originality, motion, genre, presentation and any other issues specific to addressing the work being analyzed.
Meeting | 1-2 hours in person || by phone || zoom.
Standard Turnaround | 2 weeks || faster turnaround may be requested & requires an additional fee.
*Under 120 pages is assumed.
PILOT CONSULT
Read | Analysis | Notes | Meeting | $799
Notes | 15-20 pages cover concept, structure, plot, pacing, locations, tension, tone, theme, visuals, character, dialogue, voice, style, originality, motion, genre, presentation and any other issues specific to addressing the work being analyzed.
Meeting | 1-2 hours in person || by phone || zoom.
Standard Turnaround | 2 weeks || faster turnaround may be requested and requires an additional fee.
*Pilot Analysis includes pilot, bible, cast list, & ONE projected first season episodes list.
BOOK A CONSULT
PENDING BOOKINGS
Initial bookings are “pending” bookings. Final booking is dependent on approval from Max.
AUTO APPROVED!
If you and Max have worked together before, you are in. Max will approve the booking and send you a payment link.
IF YOU’RE NEW
If you’re new, Max will reach out to you to discuss your material before finalizing the booking and sending you a payment link.
COACHING & STRATEGY SESSIONS
YOUR COACH
MAX ADAMS is an author and award winning screenwriter. She has written for Columbia Pictures, Sony Pictures, Tri-Star Pictures, Hollywood Pictures, Touchstone Pictures, Walt Disney Studios, and Universal Pictures. She has been writing, selling, mentoring, and teaching for two decades and what Max has learned in the trenches the hard way, you can learn with fewer hard knocks and stumbles leaning into her education, guidance, and experience.
Working with consult clients, Max found many writers come back with new drafts and need a new consult session for each new draft, with spotty communication in between. There is a gap in this set up. To close that gap, she’s doing something new: Coaching.
A consult client can commit to a defined block of time to devote to a project, with weekly meetings to discuss material, rewrites and progress, additional draft reads, and a reduced overall price for consults on returning material.
Max will coach clients on projects including feature scripts, pilots — and launch campaigns, building a plan to take material out and building and polishing a presentation package to get attention, get reads, and get material onto the right desks with a solid goal: get material read, optioned, sold and produced.
Max has been writing, selling, mentoring, and teaching for two decades. Four or her workshoppers have won Nicholl Fellowships from the Academy of Motion Pictures Arts & Sciences. Many of her students and workshoppers have gone on to option, sell, publish, and produce work.
COACHING & STRATEGY PACKAGES
STRATEGY MEETING
30 page material assessment |
1 hour Zoom meeting |
Strategize goals & objectives |
Formulate a plan of action |
$150 |
Working with Max starts with a plan. Whether that plan is to conceptualize and follow through on a feature or pilot, to build and launch a plan of attack to take a project out, to polish an individual feature or pilot and bring it up to industry standards, or to build a pitch, a presentation, and a marketing strategy for a body of work, individual work, or individual artist — it all starts with a plan.
This is a strategy session to assess and focus goals and build a plan of action and coaching strategy.
12 HOUR PLAN
[expiration: 3 months]
Reads | Notes | Goal Follow Up & Check In | Weekly or BiWeekly Zoom Meetings | $1195
20 HOUR PLAN
[expiration: 5 months]
Reads | Notes | Goal Follow Up & Check In | Weekly or BiWeekly Zoom Meetings | $2099
30 HOUR PLAN
[expiration: 7 months]
Reads | Notes | Goal Follow Up & Check In | Weekly or BiWeekly Zoom Meetings | $2595
STEP ONE
— purchase strategy meeting —
Purchase a strategy session with Max to discuss goals and strategies and formulate a plan.
STEP TWO
— schedule strategy meeting —
Max will reach out to you to request a 30 page writing sample and schedule your meeting.
STEP THREE
— prepare for strategy meeting —
Make a list of goals. Make a list of questions. Gather supporting materials.
STEP FOUR
— strategy meeting —
Hit the Zoom strategy meeting with Max. Strategize with Max on goals and the best plan of action to achieve them. Pick a coaching plan. Or — simply use this meeting as a bainstorming session to help focus goals and a plan of action.
COACHING: THE FINE PRINT
BILLED TIME
DISAPPOINTMENT FEES
If you miss a scheduled meeting with Max without 24 hours notice, Max will log the scheduled hour. I know! Sucks, right? It also sucks for Max if you keep scheduling hours of her time and not showing up. Oops!
WHAT ABOUT MY DISAPPOINTMENT FEES!
If Max misses a scheduled meeting with you without 24 hours notice, Max will gift you an extra coaching hour. Max rarely has to cancel without 24 hour notice, but life happens and giving you back an extra hour seems totally fair to us.
COACHING VS CONSULT
Coaching is more about working with material in progress and/or plans for outlining and/or pitching or sending out or polishing finished material than it is about a one on one feature or pilot consult.
If you are looking for an in depth consult on one piece of finished material, feature or pilot, you are usually better off going with a consult than you are spending coaching hours on one feature or pilot consult. An in depth read, analysis, notes and follow up meeting eats 10 hours and takes up to a two week turnaround. You won’t have much coaching time left on the clock with a 12 hour coaching package after that fist read and analysis and notes and meeting. That does not mean it won’t work. You could go that route and only want two more hours of meeting check in after a consult to discuss how to get the material out there to readers. It just means you should be aware of the difference between consults and coaching. And then determine what is best for you. We’re flexible.
Coaching is a good option if you’re revising a project that is already consulted on, or starting a project and could use feedback on how to structure it and build it up and out, or are considering plans and projects and could use guidance on what to go with and why, or are just taking a project out and could use guidance on avenues and ways to do that. A strategy session is sometimes good for determining that. And there are many good reasons to go with coaching and great ways to use a coaching plan.
If you have questions or are unsure? Ask. We’ve got an ask page here just scroll to the bottom and send in a question:
[that is a link hit it!]
Max will talk with you about your project, your goals, assess your needs, work with you to devise a game-plan, advise you in the development of that project, or tell you maybe the project is not ready for coaching right now, and advise you on other actions to take.
TESTIMONIALS
Tony Ferrendelli
Screenwriter
I have used Max Adams’ script consulting services on several occasions. I find the notes Max provides to be the most comprehensive and actionable feedback I have ever received. The notes have drastically improved my screenplays. I also appreciate the in-person meeting that is included with the consult to allow for questions and clarification of Max’s notes. I highly recommend her services.
Despina Moraitou
Screenwriter
I recently hired Max Adams for a consult on a fantasy feature script and she blew my mind. She sent me 32 pages of notes and spent 3 hours with me on zoom. The most interesting part was her approach to giving notes.
No doubt she read the script more than once, no doubt she understood it deeply, and her suggestions were specific and made total sense. Her notes were big picture and small picture, from tone to dialogue to character to even recreating this feature into a TV series.
In five years of getting notes from industry professionals, no one has come even remotely close to Max’s understanding of script writing. She may seem expensive, but she’s worth every penny of it. And way more.
Peter Andrews
Screenwriter
There are a lot of script consultants who can help you clean up your script. Very few have the experience, skill, and insight to help you discover the treasure within your story. Max can do that. Her approach is systematic, providing pages of clear, item-by-item analysis of your script.
She follows this up with a conversation that is rich and thoughtful. She has asked me questions aimed at both personalizing her advice and at pushing me to think more deeply and effectively about my work. And she listens to my questions, providing answers that both clarify my understanding and respond to the questions beneath the questions.
At the end of the process, I’ve been able to create a to-do list and get to work. Even better, I’ve found a renewed enthusiasm for the work. And in every case, my revised scripts have gotten better receptions. I highly recommend Max. I find her advice invaluable.
Jodi Lustig
Screenwriter
I’ve taken every class Max teaches—some, more than once, and I cannot recommend them more. But having an actual consult, with notes that drill down and explain things that could take ages for me to figure out myself is a whole other level of expertise.
Max knows story. What works, what doesn’t work. I can’t say I can instantly figure out how to tackle the problems she points out, but her notes are clear and actionable in non-airy fairy, loosey goosey language. (Always a plus to understand the note before addressing it!) Added bonus, which should really not be bonus at all, Max is most interested in helping you tell the story you want to tell, not what some other more [fill in the blank] writer might write.
Leah Baxter
Screenwriter
There is no one I trust more for a script consultation than Max Adams. She knows what makes a screenplay great and always guides me true. Her notes are detailed and clear and the follow-up phone consultation allows for questions and discussion. I’ve gotten consultations on three scripts, and I’ll be back again as soon as my next script is ready. I simply won’t pitch a script until I’ve gotten notes from Max.
Debi Yazbeck
Screenwriter
My screenplay EDDY JEAN, inspired by true events, was going nowhere, getting no traction. It was pretty sorry IMO. Max was offering consults – it made all the difference in the world. We worked together to create a captivating opening, a first act that established rich characters and world. The second act escalates, culminates and the third act ends satisfactorily. I may have been able to get there on my own eventually, but I’m not too sure about that. Now EDDY JEAN has won and finaled in numerous contests. It’s immensely satisfying and gratifying to create on paper what was in my head… but I needed Max’s help to make it be its best.
Jeffrey Warndof
Screenwriter
MIchele Koop
Screenwriter
Max gives her all to her script consults. She provides a thorough analysis of story, characters, structure, voice, as well as the small but important details, documented in at least 15 pages of notes. The follow-up 1-2 hour live conversation is an invaluable back and forth discussion of the notes, any questions, concerns or issues the writer may have, as well as help in brainstorming ideas to address issues. She really immerses herself in your story and the writer’s intent. I felt that Max was a supportive partner in helping me get two of my scripts to a better place, ready to send out. I highly recommend doing it.
YOUR CONSULTANT
MAX ADAMS
MAX ADAMS is an author and award winning screenwriter. She has written for Columbia Pictures, Sony Pictures, Tri-Star Pictures, Hollywood Pictures, Touchstone Pictures, Walt Disney Studios, Universal Pictures – and a couple others to remain unnamed because no one around here wants to get black listed.
Max is a former volunteer AFI Alumni reader and WGAw online mentor, has appeared as a speaker at, among other places, AMPAS, USC, and Film Arts Foundation, is a former lecturer & instructor at University of Utah and New York Film Academy, is the author of The Screenwriter’s Survival Guide AND The New Screenwriter’s Survival Guide, is the founder of two international online screenwriting workshops, and has the dubious distinction of having been dubbed “Red Hot Adams” by Daily Variety for selling three pitches over a holiday weekend – which made her agents cry.
[In a good way.]
Max has been writing, selling, mentoring, and teaching for two decades and what Max has learned in the trenches the hard way, you can learn with fewer hard knocks and stumbles along the way leaning into Max’s education, experience, and guidance.
.
NICHOLL FELLOWSHIP WINNERS FROM MAX WORKSHOPS
Patricia Burroughs — Nicholl Fellowship Winner 2001 — Redemption
Patricia Burroughs, Nicholl Fellowship Winner 2001
Colleen Cooper DeMaio — Nicholl Fellowship Winner 2005 — Pirates of Lesser Providence
Colleen De Maio receiving her Nicholl Fellowship Award from Writer/Director Susannah Grant, Los Angeles CA 2005
Lee Patterson — Nicholl Fellowhship Winner 2008 — Snatched
Lee Patterson receiving his Nicholl Fellowship Award from Academy President Sid Ganis, Los Angeles 2008


















